It looks like package.el is going to go into Emacs after all. I’m psyched!
I made a git branch (still local) to hack on this.
Of course, now I realize that there are bugs to fix and features to add and cleanups to make before this is really feasible…
I’ve recanted. Contrary to my earlier post on this topic, I now think implementing threading in Emacs is possible. A patch from Giuseppe Scrivano inspired me, and I started my own patch to do it.
This was sort of fun. I wrote a batch script in elisp to rewrite some of the Emacs sources — yay semantic patching!
Thanks to Giuseppe, this is now hosted on Gitorious. We’re both working there, on different branches, merging code back and forth. I’ve mostly been working on variable bindings, and he’s very active, both with low-level changes and cool things getting Gnus to work in a separate thread.
If you’re interested in helping out, we discuss it on emacs-devel, but really we’d welcome any sort of contact.
This movie came recommended by my friend Dave Bourgeois.
Awesome film! A documentary in the Errol Morris style; it managed to keep me in suspense until the end, even though I already knew how it ended. Also, it had some extra emotional impact because the WTC played such a central role.
Much to my surprise, the Fedora Emacs maintainers pushed Emacs 23 into the (ostensibly stable) Fedora 11 repository. I was a bit afraid to upgrade, since Emacs really is the cornerstone of my entire workflow. My desire for new features quickly overcame my fear, though.
The first thing you will notice is that Emacs is much prettier. It now uses XFT to render, so you get antialiasing. For normal work, I don’t really care much, but this is why I used CVS Emacs last year for presentations: it makes a huge difference in situations where prettiness matters. Unfortunately this seems to have negatively affected redisplay performance.
Another major feature I have been loving is support for multiple terminals. I use this in two ways.
I run my Emacs on my main machine, of course. This is the centerpiece of my desktop: I use it for hacking, for mail and news, and for irc. Previously, if I used my laptop, I couldn’t easily access all this state; but now I can ssh to my main machine, run emacsclient -t, and have access to everything.
I’ve also set EDITOR to emacsclient -t. This means that when I run git commit in a shell, the commit message shows up in a new emacs frame on that terminal. This is very convenient for “quickie” edits, because it means not having to switch my focus. (If I had to pick a single reason that Emacs improves my productivity, this would be it: it makes it very easy to keep one’s focus.)
Funnily, though, I don’t actually run git commit in a shell very often any more, because the new vc-dir mode is good enough that I can do some common git operations without leaving Emacs. If you tried VC in earlier versions of Emacs, then you probably remember it as a horrible joke — it worked fine for RCS, but was miserable at anything else. vc-dir is something like a generalized pcl-cvs, so you can work on a whole directory tree at once (and do so efficiently, unlike the old vc-dired). vc-dir is still pretty new, and there are some necessary operations that aren’t exposed (git push), but it is still a very nice step forward.
This release is definitely worth upgrading to.
I’ve been trying for a while to figure out how best to read blogs.
Right now I use three different methods — I use iGoogle for some things, plain old web browsing for some, and then gnus for one feed. What a pain! I’ve also tried other readers in the past — a couple web-based one, Azureus, maybe something else.
None of these are ideal for me. I think what I would really like is to use Gnus for everything, except Gnus blocks annoyingly while fetching the feeds. So, I could use nntp//rss. But then I am setting up and configuring yet another program, setting it up to run when I log in, forgetting to copy its configuration to my laptop, etc.
I wish there were “gmane for rss” — a site that ran nttp//rss for me and let me subscribe to any old feed using my news reader. Anybody know of one?
Wait! I have other complaints too! I’ll save those for later… I’m turning into the sort of person who wishes RSS were NNTP and that Common Lisp were popular again. What is happening to me?!?
You may have noticed that I have not blogged for quite some time. I’ve been otherwise engaged… Olive Emmanuelle Tromey was born May 1. As you can see, she appears to have an outlook on life quite similar to Elyn’s and mine.
We’ve been posting oodles of photos of her on facebook, so if you’re wanting to see more, ask me for a URL or friend me there.
What is going on in Scotland? There are too many creative SF writers there. I demand that they be forced to churn out fantasy books until they have lost their edge.
I recently read The Atrocity Archives, by Charles Stross. Following my general theme of SF ignorance, I hadn’t heard of him until I read about him on a blog last week. This book is a high-speed collision between hacker culture, the Cthulhu mythos, and the spy genre. Awesome stuff! Be warned, the “atrocity” bits are pretty atrocious. That sort of thing takes a toll while reading — and based on an experience in a writing group, while writing as well (we all wrote short stories about offensive things… it turns out that I have a deep, dark streak in my imagination).
The hackers in this book are absurdly archetypal. This makes for great reading, but I think I’d hate them in real life. ESR single-handedly turned hackerdom from a genuine culture into something that can only be an affectation: when your culture and attitudes and slang are codified a reference manual, and actually referenced, it is time to mutate and move on.
Taken is a revenge movie. The hero’s daughter is kidnapped while on a trip to Paris. The rest of the movie is the story of him killing and maiming his way through the echelons of the kidnapping ring to rescue her. This movie was pretty dark and made a bit more disturbing by the fact that I am going to have a daughter soon… a daughter who will now never visit Paris alone, as I simply don’t have the skills required to protect her.
By “pretty dark” what I mean is that the main character basically acts like a psychopath. He kills or at least hurts nearly everyone he meets. Of course, the movie sets things up so that we cheer his actions; without the intro this would be a sickening story about a deranged thrill killer. The setup worked very well. Too well, in fact: I thought the end of the movie came too soon, and I wanted to watch Liam Neeson kill more people. My walk home was marked by violent fantasies of justified revenge.
These revenge stories are powerful and popular, because they play on our fairness, a major value. I think this explains the popularity of police shows, too… we like to see evildoers get their just desserts.
The filmmaking here is pretty basic. There were a couple of weirdly delivered lines, and Neeson’s phone call with the kidnappers follows Sidney Lumet’s advice to always go with the emotional truth and not the literal truth: which is a fancy way of saying that the call made no sense. The action is nonstop, though. For once I thought the trailers were very accurate: if you like what you see in the trailers you will not be disappointed by the film.
In the end I am not sure whether I liked this or not. It pushed my emotions around, but perhaps a bit too hard, and only in one direction. Still, it was decent for what it was, a hyper-violent story of single-minded revenge.
I finally got around to trying gold (the new linker) for real. Today I built it and tried linking gdb. Sure enough, it is a lot faster — it was more than twice as fast at linking gdb as the F9 system linker. The link went from 48 seconds to 22 seconds.
It is very simple to build and use. Just check out binutils and configure with --enable-gold. Then build and install it, put it in your path, and you’re done.
Elyn got me this DVD for Christmas. Aside from being a “spaghetti eastern” (har, har), it is a lovely meditation on the universal act of eating.
This is such an unusual film that I’ve been thinking a bit about what attracts me to it. I like the joy and the quietness of it — I like happy endings and mundane, as opposed to extreme, conflict. Also, I enjoy how very foreign it seems… I know zilch about Japan, and for all I know a truck-driving cowboy is some kind of icon there — but here he just seems bizarre. And, I like the film’s digressions from the main story, which are entertaining but not excessively distracting.
This is a must-see.